Elephant Vision Lab.

We build, curate, and design audiovisual installations and interactive experiences.

Projects.

                           





Echo of Echo
2025
Clay, metal, wood, audio 
H 300 x W 200 x D 400

in between the lights
2025
projection, metal, acrylic, light bulbs, audio

H 250 x  W 350 x D 350

Untitled
2025
cables, speakers, fans, lasers
H 50x  W 350 x D 250


Let me cook!
2025
Pasta, Speaker, radio, metal, wood
H 50 x  W 100 x D 60
 










Elephant Vision Lab


Conect / Work with us
elephantvisionlab@gmail.com
@elephantvisionlab


Interviews

Insights of an Eco Artist
Interview
2026

Read Here

Curatory Magazine
Vol 12
2025
Read Here


Awards / Nominations

Henki Art Prize 2025
Finalist - Intertidal
Read More

Artist Statment


Elephant Vision Lab is a London-based artist duo collaboration between XinYue Ma and Alexander Collinson, working across installation, sound, moving image, sculpture, and spatial design. Bringing together backgrounds in sculpture, stage design, audiovisual practice, and narrative environments, their work explores how material, sound, and atmosphere shape bodily perception and spatial experience.



Their collaborative practice approaches space as an active condition rather than a neutral container. Through immersive installations, site-responsive interventions, and sensory environments, they investigate relationships between body, landscape, memory, and time. Drawing on field recording, moving image, sculptural form, and material experimentation, their works unfold through slow accumulation, where sound, reflection, repetition, and material transformation gradually reshape the viewer’s sense of orientation and presence.



Often engaging with coastal environments, infrastructures, and transitional spaces, Elephant Vision Lab examines moments where natural systems and human constructions intersect. Rather than representing these conditions directly, they construct environments that invite sustained attention, allowing meaning to emerge through atmosphere, proximity, and embodied experience.





Exhibited at



Wanderer
Solo Show
Studio 1, LOCKSIDE STUDIOS - London
9th - 10th May 2026

Rebuild Babel
Untitled Gallery - Berlin
Work Untitled 2025
4th - 8th February 2026

Loose Ends
Filet, London
Work: Silence Between the Tides
22nd - 24th January 2026

Soft Ground Show Two
The Annex, London
Work: in between the lights
16th - 18th December

Soft Ground Show One
The Annex, London
Work: Untitled
13th - 15th December 2025

Pathos 
Indra Gallery 
Work: Echo of Echo 
2025 

Remember Nature
Castlefield Gallery 
Intertidal Reflections 
2025 

Meal Deal 
Fillet 
Work: Let me cook! 
2025





Pertinacious
Luminoir Art
Work: 51.14° N, 1.38° E
2025

Bankley Open
Bankley Gallery
Work: Intertidal
2025

Dreamscapes
Fox Yard
Work: Intertidal Reflections
2025

Scentless Depths
Sol de Paris / Zhen Yi Gallery 
Work: Intertidal + In between the lights
September 2025 

Weather Forecast 
Badger in the wall gallery 
Work: Intertidal Reflections 
2025 

To The Nameless 
Fitzrovia Gallery 
Work: Echo of Echo
2025 

Eating the Mountain 
Fitzrovia Gallery 
Work: 51.14° N, 1.38° E
2025 

Synonym Lab - Plural Futures 
The ANNEX 
Work: Intertidal 
2025 

SB Art Open 
SB Art studios
Work: Intertidal 
2025




Hit & Run


HIT & RUN is a one-day exhibition built around movement, momentum, and temporary takeover. Across three consecutive days, the space will completely transform each day.  Artists arrive in the morning, install work in the space, exhibit throughout the day, meet audiences and other artists during an evening viewing, then deinstall the same night. 

HIT & RUN leans into the energy of the temporary pop up culture: A show that appears quickly, takes over, and disappears again. An encounter that only exists if you were there for it.

Participating artists will be programmed into one of the two days based on shared themes, visual conversations, and connections between submitted works.


We’re especially interested in hearing from emerging artists, students, and recent graduates looking for a space to test ideas, show work, meet people, exhibit in a gallery setting, and be part of a fast-moving exhibition format.


We’re looking for:

wall based works, ready to hang

freestanding objects 

small scale sculptural works

Works must be no larger than 1m wide

Hanging works must be ready with appropriate fixings! 


Deadline 21st June - Click here to Apply






In Excess


13th May - 17th May
Location: Studio 1 LOCKSIDE STUDIOS, BREAM STREET,
E3 2NT



In Excess explores repetition, accumulation, and abundance through works shaped by sustained labor, serial processes, and obsessive gestures. Across painting, sculpture, photography, video, print, and text-based practices, the exhibition considers excess as both method and condition. Dense compositions, repeated forms, and amassed materials reflect the rhythms of consumption, habit, desire, and productivity embedded in everyday life. The works oscillate between order and chaos, devotion and exhaustion, asking what emerges through continual return and prolonged acts of making.

Collectively, In Excess examines how repetition can become a way of measuring time, testing limits, and persisting beyond necessity.



Exhibiting Artists:

Victoria Gong, Youngsuk Oh, Jack Sanders,
Noah Mashiak, Harshs Pratap Singh Bist,
Max L Adams, Josie Rae Turnbull, Xueqing Liang,
Gigi Zhang, Wendi Wu



Loose Ends

22nd January - 24th January  
Filet Space 1 Murray Grove, London N1 7QF.



Loose Ends brings together practices that understand making as an ongoing, temporal process rather than a finite outcome. The works presented occupy states of transition, where form remains open and material processes are allowed to unfold. In these moments, matter registers forces such as gravity, repetition, fragility, and return, situating the work within time rather than outside it.

The exhibition frames incompletion not as a deficit but as a productive condition of practice. Influenced by process based and post-minimal approaches, the works remain open to revision and reconfiguration, shaped by spatial context, embodied encounter, and contingent conditions. Development occurs through iteration, testing, and adaptation, with each presentation understood as one articulation among many.

Across the exhibition, making operates as negotiation between intention and circumstance, structure and indeterminacy. Traces of process, tests, revisions, translations, pauses, all remain visible, embedding duration within the work itself.

Loose Ends foregrounds exhibition making as a provisional event within longer trajectories of practice.

Exhibiting Artists:

Akam Valero Tarí, Allison Gretchko,
Callum Vega, Flo Moore, Haozhe Chang,
Jingyun Guan, Ken Syakira Wangsaatmadja,
Mansi Elhance, Millie Chen, Miya Sasaki,
Pranayita Myadam, Saba Safi, Shang Tao,
Simge Güçlü, Sophie Keys, Yijing Xie,
Yilun Liu, Yuxi Zhong, Xinyi Xu, Zhixiao Liu, Alexander Collinson and XinYue Ma